Finished Object – Scrap Blanket

I present my second finished and washed scrap blanket.

A blanket with diagonal stripes of varying lengths, widths, and colors with a blue and green border laying across the top of a bed.

It’s made of all the unknown scraps from my stash box, so it’s definitely got a few bits that felted slightly in the wash. But not enough to affect it too much. 

A black dachshund puppy laying on the blanket piled up on the bed.

It’s definitely passed the puppy test. In fact, it’s passed the puppy test so well that he’s basically claimed it as a nap spot and I’ve taken to leaving it and most of the rest of my blankets on the floor at the end of my bed as his cozy area.

A ball of triple-stranded yarn with each strand a different color, the outer layer with two shades of pink and black, and inner layers involving blues, purples, yellows, and oranges in addition to the black strand.

Like I said, this was random scraps, so I don’t actually have a lot of precise info, but I can outline the general process. The base is a C2C blanket. I think this is the tutorial I learned from a few years ago, though if it isn’t I still think it’s a good, comprehensive one: C2C blanket blog post tutorial from Sarah Maker. I started in my heavier worsted weight yarns and used the magic knot method to create a ball of yarn to work from and add subsequent balls of yarn created the same way. With my thinner scraps I just used more strands together to get the right thickness. I “measured” by laying it on my bed and working until one side went across the foot of the bed, then turned one corner while lengthening the other side until it was as long as the bed before turning to make the final corner. 

The inner portion of the blanket before the border was added laying on a light wooden floor.

Once the middle had four finished corners, I took apart another C2C blanket that had been abandoned for a very long time because I ran out of the colors and used it to crochet a 6-row border around the outside using a pattern from the Crochet Every Way Stitch Dictionary and making up the corners.
Scrap blankets are my favorite way to use up scraps, especially if you are like me and just have an entire box you need to use up. I just probably would suggest that, unlike me, you wait until the heat wave dies down before you start working on one.


Follow me on Instagram and Ko-fi.

Finished Object – Framed Sweater

I finished this sweater two weeks ago, delivered it to the shop a week and a half ago, and am only just now getting around to writing about it. The good news is, if you are looking to make one for Rhinebeck, you’ve still got 2 months. If you are just here for the mathematical details, it’s at the very end.

The front view of a knit sweater with pink and peach color work on the body and sleeves in a pattern of squares filled with “sunbursts” of alternating colors and purple hem, cuffs, and shoulders.

This is the Framed sweater by Andrea Mowry of Drea Renee Knits, her Rhinebeck sweater release this year. I was asked to knit a sample in Malabrigo Rios for The Altered Stitch, my LYS.

The back view of a knit sweater with pink and peach color work on the body and sleeves in a pattern of squares filled with “sunbursts” of alternating colors and purple hem, cuffs, and shoulders.

Unfortunately, for these pictures, my dress form only went small enough to show this at 0” of ease. Seriously, my dress form literally only went down to 34.5 inches around the chest, which was actually lucky that it fit, just doesn’t show it with appropriate ease as called for in the pattern. But I guess if you like your sweaters with no ease, this demonstrates that for you.

Close up of the inside of the neckline of a pink and peach color work sweater with purple details showing the floats and pickup edge.

As cool as the outside looks, I almost love the inside more. Though its resemblance to a Good Humor strawberry shortcake bar often made me hungry while working on it. One tip I will give for this neckline (and really any neckline where you cast off while working shaping/shoulders), use Jeny’s Surprisingly Stretchy Bind-off even though you will be binding off in knit stitches only. Keeps you from having a neckline that doesn’t fit over your head.

A finished knit sweater with pink and peach color work on the body and sleeves in a pattern of squares filled with “sunbursts” of alternating colors and purple hem, cuffs, and shoulders laying flat on a light wooden floor.

Now for the details in one convenient place:

Size made: Size 1, finished chest measurement 34.5 inch circumference

Needles used: US 5 (3.7 mm) for ribbing, US 7 (4.5mm) for body

Color A (hem, cuffs, and shoulders) – 68 grams (approx. 142.8 yards) of Malabrigo Rios in color 282 Leo (less than 1 ball)

Color B (lighter color in body) – 135 grams (approx. 283.5 yards) of Malabrigo Rios in color 695 Peachy (less than 2 balls)

Color C (darker color in body) – 132 grams (approx. 277.2 yards) of Malabrigo Rios in color 057 English Rose (less than 2 balls)

Extra construction notes (in case they help): I used the Tubular cast-on and bind-off suggested in the pattern on the hem, cuffs, and collar, but used Jeny’s Surprisingly Stretchy Bind-off for the part of the neckline that is picked up for the collar. 

If you choose to make this sweater, especially using this yarn, feel free to ask any questions and I will at least try to steer you in the right direction.


Follow me on Instagram and Ko-fi.

Custom Cross Stitch Process

Today, I’m going to walk you through my process for custom cross stitch orders with the example project I just made for my mother.

A portrait of a woman with black and purple hair, glasses, a teal shirt, and a white necklace standing in front of a tree smiling.

Every portrait starts with a photo. Obviously, the higher the resolution of the photo, the more detail will be in the final piece because it is a lot like pixel art. I also crop the photo to fit best in the 5×7 frame to ensure the most detail as well.

A pixelated version of the previous portrait, cropped close to the woman’s face.

I then generate a pattern for 22-count aida fabric with up to 240 colors using the MacStitch program, and provide a preview PNG for approval. Once the preview is approved, I can start stitching.

An in-progress picture of the portrait being stitched from the middle out with many strands of embroidery thread hanging around the edges.

For a 5×7 picture, there are 16,940 stitches which takes anywhere between 90-100 hours of stitching depending on how many blocks of color there are. More frequent color changes will result in a longer stitching time. This piece in particular took 98 hours and 55 minutes, because I timed it.

The finished portrait wrapped around a mounting board and propped up against a candlestick on a wooden table.

Once the piece is finished, it gets gently handwashed, set on a drying rack to dry for a few days, ironed, and then mounted to a self-adhesive mounting board to be framed. I prefer to deliver the pieces just on the mounting board because it allows you to choose your own frame to match your decor.

And that’s it. The whole process takes about a month, though I have it listed as two just to be on the cautious side with shipping times and such. If you would like to order one for yourself, they are available in my commissions menu on Ko-fi. If you are looking for a different size than the 5×7, message me there and we can discuss what you are looking for.


Follow me on Instagram and Ko-fi.